Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/50165
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dc.contributor.authorMažeikienė, Rūta-
dc.coverage.spatialLT-
dc.date.accessioned2018-10-06T22:41:56Z-
dc.date.available2018-10-06T22:41:56Z-
dc.date.issued2010-
dc.identifier.issn13921002-
dc.identifier.otherVDU02-000009208-
dc.identifier.urihttp://www.lmaleidykla.lt/publ/1392-1002/2010/2/160-168.pdf-
dc.description.abstractStraipsnyje aptariama šiuolaikiniam teatrui būdinga naratyvi meninio vaizdavimo maniera, skatinanti spektaklių analizei pasitelkti naratologiją. Remiantis kertinėmis Gérardo Genette’o naratologijos nuostatomis, analizuojamas režisieriaus G. Varno spektaklis „Tolima šalis“, pasižymintis naratyvaus tipo mise en scène bei aktoriaus kaip naratoriaus raiškalt
dc.description.abstractThe article addresses one of the notable characteristics of contemporary theatre: instead of being a place for showing and seeing, theatre more and more often becomes a place for narrating and listening. As contemporary theatre theorists note, the narrative manner of artistic expression is one of the distinctive features of contemporary theatre, as there are numerous performances in which narrative monologues and dialogues dominate the dramatic action. That is why the spectator very often has the impression that he / she is not seeing a play but rather listening to a story. Moreover, the narrative mode of representation encourages blurring the clear-cut distinction between fiction and reality, and allows the actors to tell / present the story freely balancing between the fictional status of the narrative story (histoire) and the actual situation of narration (narration). Referring to Gérard Genette’s narratology, the play “Le pays lointain” (“The distant land”) written by the French author Jean-Luc Lagarce (1994) and its theatrical production staged by the Lithuanian director Gintaras Varnas for the Kaunas State Drama Theatre (2001), the article discusses how the process of narration is shaped in a dramatic text, how it is developed in a theatrical performance, and how this kind of narration blurs the division between fiction and realityen
dc.description.sponsorshipMenų fakultetas-
dc.description.sponsorshipTeatrologijos katedra-
dc.description.sponsorshipVytauto Didžiojo universitetas-
dc.format.extentp. 160-168-
dc.language.isolt-
dc.relation.ispartofMenotyra = Studies in art. Vilnius : Lietuvos mokslų akademijos leidykla, T. 17, nr. 2 (2010)-
dc.relation.isreferencedbyArt & Architecture Complete (EBSCO)-
dc.relation.isreferencedbyCentral & Eastern European Academic Source (EBSCO)-
dc.subjectNaratyvumaslt
dc.subjectNaratologijalt
dc.subjectNaratoriuslt
dc.subjectŠiuolaikinis teatraslt
dc.subjectNarrativityen
dc.subjectNarratologyen
dc.subjectNarratoren
dc.subjectContemporary teatreen
dc.subject.otherMenotyra / History and theory of arts (H003)-
dc.titleApie naratyvumą šiuolaikiniame teatre : spektaklio „Tolima šalis“ atvejislt
dc.title.alternativeOn narrativity in contemporary theatre: a case study of the performance “The Distant Land”en
dc.typeStraipsnis kitose duomenų bazėse / Article in other databases (S4)-
dcterms.bibliographicCitation13-
dc.date.updated2019-02-27T16:13Z-
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local.typeS-
item.fulltextWith Fulltext-
item.grantfulltextopen-
crisitem.author.deptTeatrologijos katedra-
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications
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