Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/35095
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dc.contributor.authorCitvarienė, Daiva
dc.date.accessioned2017-06-30T07:32:14Z
dc.date.available2017-06-30T07:32:14Z
dc.date.issued2014
dc.identifier.issn1392-0316
dc.identifier.urihttps://eltalpykla.vdu.lt/1/35095
dc.identifier.urihttps://hdl.handle.net/20.500.12259/35095-
dc.description.abstractStraipsnyje aptariami radikalūs pastarųjų dešimtmečių muziejų sektoriaus pokyčiai, nulėmę muziejaus vaidmenį ir jo santykį su visuomene. Aptariant naujosios muzeologijos judėjimo idėjas bei pastarųjų dešimtmečių Vakarų socialinės politikos gaires, analizuojamos šių transformacijų priežastys ir pristatomos naujausios šiuolaikinio muziejaus koncepcijos bei Vakarų muziejų praktikoje įsitvirtinę bendradarbiavimo modeliai. Tekste pristatoma atvejo studija – paroda Kauno miesto muziejuje Kauno žydų bendruomenė istorijos šaltiniuose, – analizuojanti Kauno apskrities archyvo, Kauno miesto muziejaus ir Kauno žydų religinės bendruomenės bendradarbiavimo pastangas.lt_LT
dc.description.abstractUnlike a number of decades ago, in the contemporary world museums are assessed not on the variety of their collections or the amount of received fnancing or their upto-date equipment, but on their importance and the value provided to society. Te aim of this article is to discuss the major changes in the museum sector over the last decades, which changed the role of the museum and its relation to society, to analyse the reasons for this transformation and to present the newest concepts of contemporary museum, the established models of cooperation of the Western museums and the example of cooperation between Lithuanian museum and the community. Despite strong critical voices, doubting the capacity of the museums to adapt quickly to the changing needs of society and the scepticism about the possibilities of museum cooperation with the diferent groups of society (considering that the involvement of the society becomes crucial for the survival of the museum, the fscal health of the museum depends on it, etc.), a larger part of museum studies researchers admit the need to change the power balance between the museum and society. A nearly unanimous agreement has been reached that this institution can no longer stay an enclosed, elite and non-social structure, since the museum unavoidably participates in dynamics of (in)equality and power relations, constructing and transmitting dominant social narratives. Tus it remains to answer the question of what political role the museums could undertake to support equal possibilities and pluralistic values. [...]en_US
dc.language.isolten_US
dc.relation.ispartofActa academiae artium Vilnensis, 2014, Nr. 74, p. 31-44lt_LT
dc.rightsSutarties data 2015-06-05, nr. B000102, laisvai prieinamas internetelt_LT
dc.subjectNaujoji muzeologijalt_LT
dc.subjectNew museologyen_US
dc.subjectIštakų bendruomenėslt_LT
dc.subjectInterpretacinės bendruomenėslt_LT
dc.subjectPostmuziejuslt_LT
dc.subjectKontaktinė zonalt_LT
dc.subjectAtviras muziejuslt_LT
dc.subjectSource communitiesen_US
dc.subjectInterpretive communitiesen_US
dc.subjectPost-museumen_US
dc.subjectContact zoneen_US
dc.subjectOpen museumen_US
dc.titleŠiuolaikinis muziejus ir jo bendruomenėslt_LT
dc.title.alternativeContemporary museum and its communitiesen_US
dc.typeStraipsnis / Article
dc.subject.udc008 Civilizacija. Kultūra / Civilization. Culture
item.grantfulltextopen-
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