Please use this identifier to cite or link to this item:https://hdl.handle.net/20.500.12259/101248
Type of publication: Straipsnis kitose duomenų bazėse / Article in other databases (S4)
Field of Science: Filosofija / Philosophy (H001)
Author(s): Rubavičienė, Jūratė
Title: Artaud versus Kant: annihilation of the imagination in Deleuze’s philosophy of cinema
Is part of: Cinema: journal of philosophy and the moving image. Lisboa : New university of Lisbon, 2014, Vol. 6 (2014)
Extent: p. 137-154
Date: 2014
Keywords: Cinema;Imagination;Antonin Artaud;Immanuel Kant
Abstract: Kant and Artaud present two different poles of the possibility of philosophical thought: critical sharpness and an inability to concentrate on thinking at all. In his book The Logic of Sense, Deleuze compares Artaud to Lewis Carroll as two possible alternatives: one of the surface, the other of depth. Deleuze also develops further Artaud’s concept of body without organs. In Difference and Repetition, Deleuze leads a discussion with a Kantian image of thought, paradoxically considering it dogmatic. On the other hand, Deleuze deeply reflects the Kantian notion of imagination in Kant’s Critical Philosophy. Do these lessons on Kant’s concept of imagination play any role in the later Deleuzian aesthetics? What is the role of imagination in the philosophy of cinema, in the two volumes of Cinema? In his philosophy of cinema, Deleuze returns to Kant and Artaud
Internet: http://www.cjpmi.ifilnova.pt/storage/6/6%20Baranova.pdf
Affiliation(s): Vytauto Didžiojo universitetas
Švietimo akademija
Appears in Collections:Universiteto mokslo publikacijos / University Research Publications

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